A few hours was spent this bank holiday monday with the very talented electronic whizz kid Liam Dunne.
I had last week put together a minimal electronic score for the film, its only 45 seconds to spot, but its a very long 45 seconds if you know what I mean.
In other words by the time my 45 seconds had elapsed it had became boring and ceased to have the effect a good score should.
Liam was about on saturday, we were just hangin' (man) and he had a go of my Casio CZ-5000 after about 10mins of him messin about on the synth I invited him to come work on the score as I had some ideas but not the technical prowess in order to achieve them.
A lot of time was spent adding the specific elements that I wanted included and Liam was very patient and delivered what I needed brilliantly. I wanted to keep things as "old school" as possible and insisted that Liam perform everything Live as opposed to doing everything via midi as I wanted it to have a very natural human sound to the performance.
We did a few takes of each track and nailed it. Some happy accidents happened along the way that would never have happened it we took the midi route. I love when shit like that happens.
When it came to the last track of the day Liam came up with some amazing chords using a french horn sample. I took great pleasure in "conducting the orchestra" for this part and we recorded directly to the playback on screen. In three takes we had it.
A lot of work goes into those 45 seconds of screen time for a score that hopefully no one will hear but certainly feel.
But when do I get to see it??
ReplyDeleteHere , check out my link.
http://wanakafilmtrust.blogspot.com/
it's for the Wanaka Film Trust (of which I am a board member) .
We arrange shorts screenings amongst other things if you're interested in sending anything .
I can add you to the mailing list if you like too .
churs . TRS
( This probably should have been an email as opposed to a comment , so feel free to burn after reading , as it were.)